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JESUS IS COMING is a Columbia University thesis film written and directed by Cameron Clay, produced by Yaél Bermudez. 
 
We need your help to complete post-production on this special film! 
 
 
 

 
North Carolina, 1971. 

When his small town is ravaged by inexplicable disappearances, a trusted reverend relies on the Word to buoy the community.
 
But when he and his son discover an extraterrestrial explanation for the missing people, they face a moral dilemma: reveal the shocking truth or bury their otherworldly secret. 
 

 
 

Over two years ago, I set out to write a story about a man whose beliefs were challenged by something beyond his comprehension. But the process of writing has a funny way of changing the very nature of the story you thought you were telling. Through drafts and drafts of revisions to the original script – I found a story about a man forced to confront his fears and surrender to the unknowable. To give in, to release, to let go. Trees that don’t bend will always break. 

This is a story about choosing to believe — when the sky is falling, when nothing makes sense anymore, when you are in your darkest hour.

This is a story about faith. About choosing hope.

-Cameron Clay



 
 

Our film is fiscally sponsored by From The Heart, making our project 501(c)(3) status thus making your donations 100% tax deductible

We have a goal to raise $35,000 for post-production. This money will go towards getting our celluloid developed and scanned at a professional post house, paying crew (vfx artists, poster designers, sound mixers, color graders), creating our marketing materials (posters, trailers), and submitting to film festivals. 


 


 

 


 

Filmmaking is an incredibly exclusionary art form. We, as audience members, always ask: where are the new voices telling stories that we have not seen on-screen before? The barrier is simple—money. Whereas a painter can spend under $200 and create a brilliant work of art, a filmmaker has to spend thousands of dollars (and call in a lot of favors) to make even a short film.

It is vitally important for burgeoning filmmakers to self-produce these short films to be considered for feature film financing and professional opportunities. We need to bet on ourselves. 

For those of us that do not come from wealthy backgrounds, that means we need to look to our communities for support. Your donation will be in support of young Black filmmakers fighting tooth and nail to get a foot in the door in an industry that has historically been hostile to us. 

Images matter. Stories are vital in shaping the way people think and engage with the world around them. To control stories is to be able to control history. 

 


 

 
Jesus is Coming wrapped production on Tuesday, July 16th 2024 in Roxboro, North Carolina. We had a mighty team of classmates, pre-professional filmmakers, friends, and local crew who worked very hard to make this film come to life. 
 
The film was shot on 16mm celluloid on an ARRI 416 film camera to evoke the essence of the 70s time period and location. 
 
Special thanks to the organizations that partnered with us to support our efforts in filmmaking: Pricilla and Maurice Thompson, George Fuller, Winstead Farms, Allen's Chapel AME Church, KODAK, Illumination Dynamics, ARRI, and Columbia University. 
 
 

 
 
 
 
 

August

  • Celluloid film is developed, processed, and scanned 
  • Production applies to post-production grants 

September

  • Editing begins over 12 weeks 
  • VFX team begins work 

October 

  • 2nd rough cut screening 
  • Composer joins post-production team and begins create score for film 
  • Sound designer joins post-production team and begins spotting for sound effects 

November 

  • 3rd rough cut screening 
  • Edit is locked 
  • Trailer is shared with friends + family 
  • Color grade begins 
  • Sound mixing begins 

December 

  • Film is conformed and finished 
  • DCP created 
  • Poster is revealed 
  • Team begins submitting to film festivals 

May

  • Film screened at Columbia University Film Festival
 
 
 


 
CAMERON CLAY
Writer & Director
 

Cameron Clay is a video artist and filmmaker from PG County, MD. He is currently finishing his MFA in Directing at Columbia University.

Cameron's work has been featured in Blackstar Film Festival, Philadelphia Film Festival, First Take Film Festival, and the Philadelphia Film Showcase. He is a Milos Forman Directing Fellowship, Lazaroff Screenwriting Award and Motion Picture Award recipient.

 
 
YAÉL BERMUDEZ
Producer
 

 
Yaél Bermudez is a producer, writer, and curator from Queens, New York. Her work tells and champions stories centered around complex characters tussling with metamorphic self-discovery.

She is a graduate from Boston University’s College of Communication with a bachelor’s degree in Film & Television. Her professional experience ranges across television, independent feature film, commercials, music videos, and live events. Yaél’s experience extends internationally where she assisted on commercial shoots in Sydney, Australia and produced a short film Confirmation in Accra, Ghana.

Yaél has produced narrative short films that have premiered at Toronto Black, Black Harvest, New York African, Bushwick Film Festivals and more. She holds collaboration at the core of everything she does.
Yaél is currently a third-year Creative Producing MFA candidate and Bridges Larson Fellow at Columbia University.
 
 
 
BRADLEY CREDIT
Director of Photography
 

 
Bradley Credit is a Washington, D.C born-and-raised cinematographer whose work spans narrative, commercials, documentary, and music videos. 
His work has screened festivals such as the Blackstar Film Festival, the Atlanta Film Festival, the Pan African Film Festival, and the Chicago International Film Festival, and has been featured in Rolling Stone, The FADER, PAPER Magazine, Booooooom, and Director’s Notes. 

His commercial work includes clients such as Gucci, Vogue, Apple Music, Facebook, Adidas, Puma, Amazon, Walmart, Sephora, and Topicals. 
In 2024, he was named a Rising Star of Cinematographer by American Cinematographer.
 

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